This blog is mainly about contemporary opera (operas composed after 1970), but also about classical music. Ce blog est consacré principalement à l'actualité de l'opéra contemporain depuis 1970, mais aussi à la musique / musicologie en général, de manière plus anecdotique.
Showing posts with label Teatro Real. Show all posts
Showing posts with label Teatro Real. Show all posts
Tuesday, 31 October 2017
New programme books in my collection
I have recently acquired the following programme books for contemporary operas :
- Isaac Albéniz : Merlin, Madrid (Teatro Real), May 28th, 2003 (first staged performance), 232 p. ;
- José Ramon Encinar : Figaro, Madrid (Sala Olimpia), February 21st, 1988 (world première), 45 p. ;
- Anton Garcia Abril : Divinas palabras, Madrid (Teatro Real), October 18th, 1997 (world première),
143 p. ;
- Cristobal Halffter : Don Quijote, Madrid (Teatro Real), February 23rd, 2000 (world première), 142 p. ;
- Philippe Manoury : Kein Licht, Paris (Opéra Comique), October 18th, 2017 (world première on August 25th, 2017 in Duisburg), 84 p. ;
- Tomas Marco : Selene, Madrid (Teatro de la Zarzuela), February 24th, 1996 (world première in the same theater on May 14th, 1974), 88 pages ;
- Xavier Montsalvatge : Babel 46, Madrid (Teatro Real), March 25th, 2002 (world première on July 30th, 1994 at the Cadaqués Festival), 35 p. ;
- Luis de Pablo : La senorita Cristina, Madrid (Teatro Real), February 10th, 2001 (world première),
145 p. ;
- José Maria Sanchez-Verdu : El viaje a Simorgh, Madrid (Teatro Real), May 4th, 2007, world première, 175 p.
I have now 500 programme books for contemporary operas in my collection. I have uploaded all the scanned covers to this flickr folder.
Labels:
2017,
Anton Garcia Abril,
Cristobal Halffter,
Duisburg,
Germany,
José Maria Sanchez-Verdu,
José Ramon Encinar,
Kein Licht,
Luis de Pablo,
Madrid,
Philippe Manoury,
Spain,
Teatro Real,
Tomas Marco
Monday, 20 February 2017
Today : world première of Elena Mendoza's 'La ciudad de las mentiras' in Madrid
Today, the Teatro Real in Madrid presents the world première of Elena Mendoza's opera La cuidad de las mentiras (City of Lies), with a libretto by Matthias Rebstock.
(c) Guillermo Mendo
It is Mendoza's third work of musical theatre, after Ich bin Du oder der Raub der Futurina (Dresden, 2004) and Niebla (Dresden, 2007). The libretto is inspired by four stories of Juan Carlos Onetti.
It is a drama about the loneliness and fantasies of four women: two singers, an accordion player and a violist. Each hides, in her own way, in a parallel existence which is at once irrational and compassionate, an attempt to survive in a world of social hypocrisy, desperation and isolation of the individual. The action takes place in Onetti’s symbolic city of Santa María, one of interior spaces where windows and stairs are the only link to the outside world. The central point of this restricted universe is a bar. The men of Santa Maria gather here and give full rein to all manner of rumors and scandal. By way of their gossip, we discover the inevitable masquerades of the four women. Some are absurd and even tinged with comedy, but they are, in fact, much more worthy than so-called reality. (reproduced from the Teatro Real website)The cast includes soprano Katia Guedes (Gracia), soprano Laia Falcón (Mujer de 'El sueño realizado'), accordionist Anne Landa (Carmen) and violist Anna Spina (Moncha). Titus Engel conducts the Orquesta Sinfónica de Madrid. Matthias Rebstock directs.
The score is published by Edition Peters. According to the published, the required orchestra is the following :
- 1 flute, 2 clarinets ;
- 1 trombone ;
- 3 percussionists ;
- piano ;
- string quintet ;
- on stage : 1 clarinet, 1 violin, 1 viola, 1 cello, accordion.
The performance should last about 90 minutes, with no intermission. The programme book is available for download on the Teatro Real website. It is entirely in Spanish and contains a plot summary in English.
Thursday, 12 March 2015
New season 2015-2016 at the Teatro Real in Madrid
This Thursday morning, I have also received the complete program for the 2015-2016 season at the Teatro Real in Madrid.
The following operas will be performed :
- Gaetano Donizetti : Roberto Devereux, conducted by Bruno Campanella and Andriy Yurkevych, directed by Alessandro Talevi (production from the Welsh National Opera in Cardiff, October 2013), with Mariella Devia and Mariusz Kwiecien ;
- Georg Friedrich Haendel : Alcina, conducted by Christopher Moulds, directed by David Alden, with Karina Gauvin and Sonia Prina (production from Bordeaux, May 2012) ;
- Giuseppe Verdi : Rigoletto, conducted by Nicola Luisotti, directed by David McVicar, with several casts, including Stephen Costello, Leo Nucci, Olga Peretyatko and Carlo Colombara (production from Covent Garden, September 2001) ;
- Wolfgang Amadeus Mozart : Die Zauberflöte, conducted by Ivor Bolton, directed by Barrie Kosky, with Christof Fischesser, Joel Prieto, Ana Durlovski (production from the Komische Oper in Berlin, November 2012) ;
- Manuel de Falla : El retablo de Maese Pedro, conducted by Josep Vicent, directed by Enrique Lanz, as part of the celebration for the 400th anniversary of Miguel de Cervantes' death (production from the Teatre del Liceu in Barcelona, January 2009) ;
- Tomas Marco : El caballero de la triste figura, conducted by Manuel Coves, directed by Guillermo Heras, for the same celebration (new production) ;
- Richard Wagner : Das Liebesverbot, conducted by Ivor Bolton, directed by Kasper Holten, with Christopher Maltman, Andrew Stapels, Bernard Richter, Ante Jerkunica (new production) ;
- Richard Wagner : Parsifal, conducted by Semyon Bychkov, directed by Claus Guth, with Detlef Roth, Ante Jerkunica, Franz Josef Selif, Anja Kampe (production from the Teatre del Liceu in Barcelona, February 2011) ;
- Hans Krasa : Brundibar, conducted by Jordi Frances, directed by Susana Gomez (new production) ;
- Arnold Schönberg : Moses und Aron, conducted by Lothar Koenigs, directed by Romeo Castellucci, with Albert Dohmen, John Graham-Hall and Catherine Wyn-Rogers (new co-production, to be first performed in Paris in October 2015) ;
- Viktor Ullmann : Der Kaiser von Atlantis, conducted (and orchestrated) by Pedro Halffter, directed by Gustavo Tambascio (new production).
The four following operas will be performed in concert :
- George Benjamin : Written on Skin, conducted by the composer :
- Giuseppe Verdi : Luisa Miller, conducted by James Conlon ;
- Vincenzo Bellini : I Puritani, conducted by Evelino Pido ;
- Giuseppe Verdi : I due Foscari, conducted by Pablo Heras-Casado.
15 operas (including 4 chamber operas, and 4 operas in concert) in 5 languages, from the baroque era to the modern period, will be performed. There will be only 2 new productions from large-scale works, but 4 operas from the 20th or 21st centuries.
According to a document received with the program, the "Teatro Real [should] achieve financial stability in 2015 with only 30% of public funding. Let's hope it will allow them to commission some new works in the near future.
Received in the mail this morning : program book for Sotelo's 'El Publico' in Madrid
This Thursday morning, I have received in the mail the program book published by the Teatro Real in Madrid for the world premiere performance of Mauricio Sotelo's El Publico (The Audience) on February 24th.
It is a 32 pages brochure. It contains :
- complete cast and crew ;
- synopsis ;
- an article written by the librettist ;
- an article written by the composer ;
- biographies of the artists, with B&W photos.
It is entirely in Spanish, with the exception of the synopsis which is bilingual (Spanish and English).
Thursday, 17 April 2014
New season 2014-2015 at the Teatro Real in Madrid
11 operas will be performed at the Teatro Real in Madrid during the 2014-2015 season :
- Wolfgang Amadeus Mozart : Le Nozze di Figaro, conducted by Ivor Bolton, directed by Emilio Sagi (revival, first performed in July 2009) ;
- Gaetano Donizetti : La Fille du régiment, conducted by Bruno Campanella and Jean-Luc Tingaud, directed by Laurent Pelly (first performance of this production in Madrid, after London, Vienna, New York, San Francisco, Barcelona and Paris) ;
- Benjamin Britten : Death in Venice, conducted by Alejo Pérez, directed by Willy Decker (first performance of this opera in the Teatro Real, production from Barcelona 2008) ;
- Engelbert Humperdinck : Hänsel und Gretel, conducted by Paul Daniel and Diego Rodriguez, directed by Joan Font (new production) ;
- Mauricio Sotelo : El Público, conducted by Pablos Heras-Casado, directed by Robert Castro (world première) ;
- Giuseppe Verdi : La Traviata, conducted by Renato Palumbo, directed by David McVicar (production already performed by Welsh National Opera, Scottish Opera and Opéra de Genève) ;
- Ludwig van Beethoven : Fidelio, conducted by Hartmut Haenchen, directed by Alex Ollé (new production) ;
- double bill : Enrique Granados' Goyescas conducted by Plácido Domingo, directed by José Luis Gómez (new production) and Giacomo Puccini's Gianni Schicchi, conducted by Giuliano Carella, directed by Woody Allen with Plácido Domingo (first performed in Los Angeles in September 2008) ;
- Elena Mendoza : La Ciudad de las mentiras, conducted by Titus Engel, directed by Matthias Rebstock (world première).
And in concert :
- Charles Gounod : Roméo et Juliette, conducted by Michel Plasson.
This season includes 2 world premières, 3 new productions and 5 revivals.
Since 2007, the following operas received their world première performance at the Teatro Real :
- José María Sánchez-Verdú : El viaje a Simorgh, in May 2007 ;
- Leonardo Balada : Faust-bal, in February 2009 ;
- Pilar Jurado : Lá pagina en blanco, in February 2011 ;
- Philip Glass : The Perfect American, in January 2013 ;
- Charles Wuorinen : Brokeback Mountain, in January 2014.
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