This blog is mainly about contemporary opera (operas composed after 1970), but also about classical music. Ce blog est consacré principalement à l'actualité de l'opéra contemporain depuis 1970, mais aussi à la musique / musicologie en général, de manière plus anecdotique.
Showing posts with label Anton Garcia Abril. Show all posts
Showing posts with label Anton Garcia Abril. Show all posts
Tuesday, 31 October 2017
New programme books in my collection
I have recently acquired the following programme books for contemporary operas :
- Isaac Albéniz : Merlin, Madrid (Teatro Real), May 28th, 2003 (first staged performance), 232 p. ;
- José Ramon Encinar : Figaro, Madrid (Sala Olimpia), February 21st, 1988 (world première), 45 p. ;
- Anton Garcia Abril : Divinas palabras, Madrid (Teatro Real), October 18th, 1997 (world première),
143 p. ;
- Cristobal Halffter : Don Quijote, Madrid (Teatro Real), February 23rd, 2000 (world première), 142 p. ;
- Philippe Manoury : Kein Licht, Paris (Opéra Comique), October 18th, 2017 (world première on August 25th, 2017 in Duisburg), 84 p. ;
- Tomas Marco : Selene, Madrid (Teatro de la Zarzuela), February 24th, 1996 (world première in the same theater on May 14th, 1974), 88 pages ;
- Xavier Montsalvatge : Babel 46, Madrid (Teatro Real), March 25th, 2002 (world première on July 30th, 1994 at the Cadaqués Festival), 35 p. ;
- Luis de Pablo : La senorita Cristina, Madrid (Teatro Real), February 10th, 2001 (world première),
145 p. ;
- José Maria Sanchez-Verdu : El viaje a Simorgh, Madrid (Teatro Real), May 4th, 2007, world première, 175 p.
I have now 500 programme books for contemporary operas in my collection. I have uploaded all the scanned covers to this flickr folder.
Labels:
2017,
Anton Garcia Abril,
Cristobal Halffter,
Duisburg,
Germany,
José Maria Sanchez-Verdu,
José Ramon Encinar,
Kein Licht,
Luis de Pablo,
Madrid,
Philippe Manoury,
Spain,
Teatro Real,
Tomas Marco
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