This blog is mainly about contemporary opera (operas composed after 1970), but also about classical music. Ce blog est consacré principalement à l'actualité de l'opéra contemporain depuis 1970, mais aussi à la musique / musicologie en général, de manière plus anecdotique.
Showing posts with label The Last Judgement. Show all posts
Showing posts with label The Last Judgement. Show all posts
Sunday, 26 November 2017
4 new recent program books in my collection
I have recently acquired 4 new program books for contemporary operas :
- Arnulf Herrmann, Der Mieter, Frankfurt, November 12, 2017 ;
- Krzysztof Knittel, The Last Judgement, Gdansk, November 9, 2017 ;
- Nico Muhly, Marnie, London (ENO), November 18, 2017 ;
- Salvatore Sciarrino, Ti vedo, ti sento, mi perdo, Milano (Teatro alla Scala), November 14, 2017.
The first one is a 96 pages book. It contains :
- crew for the production ;
- synopsis of the opera ;
- Das Klopfen der Nachbarn und das zerbrechende Glas, interview of composer Arnulf Herrmann and librettist Händl Klaus by dramatugist Zsolt Horpacsy ;
- Markus Böggemann : Energien, erfahrbar gemarcht (über Arnulf Herrmann) ;
- Kazushi Ono : Ein Gefühl des Schwankens (Anmerkungen zur Musik von Der Mieter) ;
- Alles Falle, interview of director Johannes Erath and set designer Kaspar Glarner by dramaturgist Zsolt Horpacsy ;
- Anja Petersen : Wie im Schwindel ;
- Memoiren eines alten Arschlochs, Portrait von Roland Topor ;
- Alexander Garcia Düttmann : Verwandlung, Gedanken zu Roland Topors Roman Le Locataire chimérique ;
- Georg Hensel : Ein Sonntagsmaler des Grauens ;
- 16 pages of color photos of the production ;
- Händl Klaus : Hausmitteilung, Schutzdichtung für Muriel ;
- the complete libretto.
The programme book is entirely in German. At the end of it, there is a 3 pages synopsis in English. There is a separate 6 pages flyer with the complete cast and crew and a separate 12 pages booklet with biographies of the artists with black and white headshots.
The second one is a 24 pages booklet. It contains :
- complete cast and crew :
- a short article by composer Krzysztof Knittel ;
- biographies of artists with black and white headshots ;
- synopsis ;
- an article on Hans Memling's painting The Last Judgement, by Alicja Andrzejewska-Zajac and Magdalena Podgorzak.
It is entirely in Polish.
The third one is a 62 pages book. It contains :
- complete cast and crew ;
- synopsis ;
- Nico Muhly : Writing 'Marnie' ;
- a short excerpt of Winston Graham's original novel Marnie ;
- Paul Cremo ; Exploring 'Marnie' ;
- Winston Graham on 'Marnie', excerpt of Graham's Memoirs of a Private Man ;
- Paul Griffiths : Singing by Other Means : An Introduction to Nico Muhly's Music ;
- biographies of cast and crew, with black and white headshots.
The fourth and last one is a 156 pages book. It contains :
- La scena, il dramma, il mito, l'oblio ;
- Organico strumentale (orchestral setting) ;
- complete libretto only in Italian ;
- synopsis in Italian by Cesare Fertonani, with translations in French, English, German, Japanese and
Russian ;
- Cesare Fertonani : Salvatore Sciarrino ;
- Cesare Fertonani : L'opera in breve ;
- Gianluigi Mattietti : La musica ;
- Enzo Restagno : Ti vedo, ti sento, mi perdo ;
- Andrea De Carlo : Stradella, o dell'atemporalità ;
- Raffaele Mellace : Alessandro Stradella ;
- Anna Paniale : Il teatro nel teatro - Alcune riflessioni di Jürgen Flimm ;
- Luca Chierici : Salvatore Sciarrino alla Scala dal 1969 al 2014 (with 'Cronologia') ;
- biographies of the artists with headshots.
With the exception of the translations of the synopsis, the book is entirely in Italian.
I now have 505 programme books for contemporary operas. All covers have been scanned and uploaded to this flickr folder.
Labels:
2017,
Arnulf Herrmann,
Der Mieter,
Frankfurt,
Gdansk,
Krzysztof Knittel,
London,
Marnie,
Milano,
Nico Muhly,
program book,
Salvatore Sciarrino,
The Last Judgement,
Ti vedo ti sento mi perdo
Thursday, 9 November 2017
Today : world première of 'The Last Judgement' by Krzysztof Knittel in Gdansk
Today, the Opera Baltycka in Gdansk presents the world première of Krzysztof Knittel's The Last Judgement (Sąd Ostateczny), with a libretto by Miroslaw Bujko.
(c) Tomasz Paczos
It is the composer's second opera after The Heartpiece - Double Opera (composed with John King, 1999).
The opera tells the gruesome fate of one of the eminent European paintings, the "Last Judgment" by Hans Memling. It depicts the mysticism of the origins and significance of the triptych, the struggles of its creator and its audience, who could admire it in different circumstances, historical realities and cities of Europe. The wandering of the image began with the spoils that brought it to Gdansk where it is now a permanent exhibit. (freely adapted from the Opera Baltycka website)The cast includes baritone Robert Gierlach (Memling), bass Piotr Lempa (Arago), countertenor Jan Jakub Monowid (Portinari) and soprano Anna Mikolajczyk (Katarzyna Tanagli). Szymon Morus conducts the Orchestra and Chorus of the Opera Baltycka. Pawel Szkotak directs.
Subscribe to:
Posts (Atom)




