Showing posts with label Nico Muhly. Show all posts
Showing posts with label Nico Muhly. Show all posts

Sunday, 26 November 2017

4 new recent program books in my collection


I have recently acquired 4 new program books for contemporary operas :

- Arnulf Herrmann, Der Mieter, Frankfurt, November 12, 2017 ;
- Krzysztof Knittel, The Last Judgement, Gdansk, November 9, 2017 ;
- Nico Muhly, Marnie, London (ENO), November 18, 2017 ;
- Salvatore Sciarrino, Ti vedo, ti sento, mi perdo, Milano (Teatro alla Scala), November 14, 2017.




The first one is a 96 pages book. It contains :

- crew for the production ;
- synopsis of the opera ;
- Das Klopfen der Nachbarn und das zerbrechende Glas, interview of composer Arnulf Herrmann and librettist Händl Klaus by dramatugist Zsolt Horpacsy ;
- Markus Böggemann : Energien, erfahrbar gemarcht (über Arnulf Herrmann) ;
- Kazushi Ono : Ein Gefühl des Schwankens (Anmerkungen zur Musik von Der Mieter) ;
- Alles Falle, interview of director Johannes Erath and set designer Kaspar Glarner by dramaturgist Zsolt Horpacsy ;
- Anja Petersen : Wie im Schwindel ;
- Memoiren eines alten Arschlochs, Portrait von Roland Topor ;
- Alexander Garcia Düttmann : Verwandlung, Gedanken zu Roland Topors Roman Le Locataire chimérique ;
- Georg Hensel : Ein Sonntagsmaler des Grauens ;
- 16 pages of color photos of the production ;
- Händl Klaus : Hausmitteilung, Schutzdichtung für Muriel ;
- the complete libretto.

The programme book is entirely in German. At the end of it, there is a 3 pages synopsis in English. There is a separate 6 pages flyer with the complete cast and crew and a separate 12 pages booklet with biographies of the artists with black and white headshots.

The second one is a 24 pages booklet. It contains :

- complete cast and crew :
- a short article by composer Krzysztof Knittel ;
- biographies of artists with black and white headshots ;
- synopsis ;
- an article on Hans Memling's painting The Last Judgement, by Alicja Andrzejewska-Zajac and Magdalena Podgorzak.

It is entirely in Polish.

The third one is a 62 pages book. It contains :

- complete cast and crew ;
- synopsis ;
- Nico Muhly : Writing 'Marnie' ;
 - a short excerpt of Winston Graham's original novel Marnie ;
- Paul Cremo ; Exploring 'Marnie' ;
- Winston Graham on 'Marnie', excerpt of Graham's Memoirs of a Private Man ;
- Paul Griffiths : Singing by Other Means : An Introduction to Nico Muhly's Music ;
- biographies of cast and crew, with black and white headshots. 

The fourth and last one is a 156 pages book. It contains :

- La scena, il dramma, il mito, l'oblio ;
- Organico strumentale (orchestral setting) ;
- complete libretto only in Italian ;
- synopsis in Italian by Cesare Fertonani, with translations in French, English, German, Japanese and
Russian ;
- Cesare Fertonani : Salvatore Sciarrino ;
- Cesare Fertonani : L'opera in breve ;
- Gianluigi Mattietti : La musica ;
- Enzo Restagno : Ti vedo, ti sento, mi perdo ;
- Andrea De Carlo : Stradella, o dell'atemporalità ;
- Raffaele Mellace : Alessandro Stradella ;
- Anna Paniale : Il teatro nel teatro - Alcune riflessioni di Jürgen Flimm ;
- Luca Chierici : Salvatore Sciarrino alla Scala dal 1969 al 2014 (with 'Cronologia') ;
- biographies of the artists with headshots.

With the exception of the translations of the synopsis, the book is entirely in Italian.

I now have 505 programme books for contemporary operas. All covers have been scanned and uploaded to this flickr folder.

Saturday, 18 November 2017

Today : world première of Nico Muhly's 'Marnie' in London (ENO)


Today, the English National Opera in London presents the world première of Nico Muhly's new opera, Marnie, with a libretto by Nicholas Wright, based on Winston Graham's novel.


It is the composer's third opera after Dark Sisters (Gotham Chamber Opera, New York, November 9, 2011) and Two Boys (London, ENO, June 24, 2011).
A young woman makes her way through life by embezzling from her employers, before she moves on and changes her identity. When her current boss Mark Rutland catches her red-handed, he blackmails her into a loveless marriage. Marnie is left with no choice but to confront the hidden trauma from her past. (reproduced from the ENO website)
The cast includes mezzo-soprano Sasha Cooke (Marnie), baritone Daniel Okulitch (Mark Rutland), countertenor James Laing (Terry Rutland), tenor Alasdair Elliott (Mr Strutt),contralto Kathleen Wilkinson (Marnie's mother) and soprano Lesley Garrett (Mrs Rutland). Martyn Brabbins conducts the Orchestra and Chorus of the English National Opera. Michael Meyer directs.

The performance should last about 2 hours and 40 minutes. The opera will be broadcast by BBC Radio 3 on December 9, 2017.

Saturday, 15 November 2014

New recordings of contemporary operas in my collection


I have recently acquired the following recordings of contemporary operas :

- Dominick Argento : Casanova's Homecoming, conducted by Peter Jacoby, Newport Classic, NPD 85673/2
- Gerald Barry : The Importance of Being Earnest, conducted by Thomas Adès, NMC D197
- Harold Blumenfeld : Seasons in Hell, conducted by Gerhard Samuel, Albany, Troy 262/63


- Michael Ching : A Midsummer Night's Dream, conducted by Curtis Tucker, Albany, Troy 1507/08
- Daniel Crozier : With Blood, With Ink, conducted by Timothy Myers, Albany, Troy 1513/14
- Scott Everly : The House of the Seven Gables, conducted by David Gilbert, Albany, Troy 447



- Lorenzo Ferrero : Mare Nostro, conducted by Gianfranco Masini, Ricordi, RFCD 2016
- Ricky Ian Gordon : A Coffin in Egypt, conducted by Timothy Myers, Albany, Troy 1500
- Lee Hoiby : A Month in the Country, conducted by Steven Osgood, Albany, Troy 747-748


- James MacMillan : Clemency, conducted by David Angus, Bis, Bis-2129
- Nico Muhly : Two Boys, conducted by David Robertson, Nonesuch, 7539-79560-2
- Thea Musgrave : An Occurence at Owl Creek Bridge, conducted by the composer, NMC D167



- Richard Owen : Rain, conducted by Richard Owen Jr., Albany, Troy 623/24
- Krzysztof Penderecki : Ubu Rex, conducted by Jacek Kaspszyk, Accord, ACD 133-2
- William Grant Still : Highway One, USA, conducted by Philip Brunelle, Visionary Records, Vis 734




- Tan Dun : Marco Polo, conducted by Tan Dun, Sony, S2K 62912
- Judith Weir : The Vanishing Bridegroom, conducted by Martyn Brabbins, NMC D196
- Barbara White : Weakness, conducted by Michael Pratt, Albany, Troy 1441


It is a shame that the Albany company doesn't provide precise datas about the whereabouts of the recordings they publish (date, location, live or studio). I assume most recordings are from the first run of performances of these operas, but in several years, it might not be so easy to find information about that.