This blog is mainly about contemporary opera (operas composed after 1970), but also about classical music. Ce blog est consacré principalement à l'actualité de l'opéra contemporain depuis 1970, mais aussi à la musique / musicologie en général, de manière plus anecdotique.
Showing posts with label The Dictator's Wife. Show all posts
Showing posts with label The Dictator's Wife. Show all posts
Sunday, 16 July 2017
Six new programme books in my collection
I have recently received six new programme books published by opera theaters for performances of contemporary operas.
- Gerald Barry : Alice's Adventures Underground, Los Angeles (LA Phil), November 22, 2016 ;
- William Bolcom : Dinner at Eight, Saint Paul (Minnesota Opera), March 11, 2017 ;
- Alois Bröder : Unverhofftes Wiedersehen, Würzburg, June 24, 2017 ;
- Mohammed Fairouz : The Dictator's Wife, Washington (Kennedy Center), January 13, 2017 ;
- André Previn : A Streetcar Named Desire, Honolulu (HOT), January 27, 2017 ;
- Ravi Shankar : Sukanya, Leicester (Curve), May 12, 2017.
The first one is a 92 pages brochure for all concerts of November 2016, including 8 pages dedicated to Gerald Barry's new opera. It is entirely in English :
- complete cast ;
- Notes by John Henken ;
- Composer profile ;
- detailed biographies with B&W headshots.
The second one is a 32 pages brochure. It is entirely in English. It contains :
- synopsis ;
- complete cast and creative team ;
- About the opera, by dramaturg David Sander ;
- Director's Notes, by stage director Tomer Zvulun ;
- detailed biographies of composer William Bolcom and librettist Mark Campbell with color headshots ;
- biographies of singers and team members, with B&W headshots ;
- Meet the artist, with soprano Brenda Harris ;
- The Making of 'Dinner at Eight'.
The third one is a 44 pages brochure. It is entirely in German. It contains :
- complete cast and crew ;
- color photos of rehearsals ;
- short synopsis ;
- Die Erde, by Johann Peter Hebel ;
- Im Spiegel der Geschichte, by Beate Kröhnert, personnal assistant to the General Director ;
- Anmerkungen zur Musik, by composer Alois Bröder ;
- Der Komet, by Johann Peter Hebel ;
- complete libretto ;
- biography of Alois Bröder.
The fourth one is a 52 pages brochure. It is entirely in English. It is the January 2017 issue of Playbill for the Kennedy Center. 7 pages are dedicated to the opera Dictator's Wife :
- complete cast and crew ;
- A Letter from Robert Ainsley, director of the American Opera Initiative ;
- synopsis of the opera ;
- Meet the Artists, biographies with B&W headshots.
The sixth one is a 36 pages brochure. It is entirely in English. It contains :
- Introduction by director Suba Das ;
- color photos of rehearsals ;
- Programme notes by Michael Church ;
- Ravi Shankar timline ;
- Ravi Shankar in photographs ;
- cast, performers and production team ;
- synopsis ;
- biographies of artists, with B&W headshots.
I now have 482 programmes for conteporary operas. I have scanned and uploaded all the covers in this flickr album.
Friday, 13 January 2017
Today : world première of 'The Dictator's Wife' by Mohammed Fairouz in Washington
Today, the Washington National Opera and American Opera Initiative present the world première performance of Mohammed Fairouz's new opera, The Dictator's Wife, with a libretto by Mohammed Hanif based on his own play.
It is the composer's second opera after Sumeida's Song, first performed in New York in 2013. A recording of this opera has been published by Bridge Records.
The glamorous yet tormented wife of a once-powerful dictator bemoans that she is now having to answer for all of the terrible atrocities committed by her husband, who has "taken to cowering in the bathroom" as the country falls apart. (reproduced from the Kennedy Center website)The cast includes mezzo soprano Allegra De Vita (First Lady), soprano Ariana Wehr (Ms. Holy), baritone Hunter Enoch (ADC), mezzo soprano Leah Hawkins (I Will See My Children Mom), tenor Rexford Tester (Give-Me-Cheap-Petrol Protestor) and bass Timothy J. Bruno (Death Row Dad). The ensemble will be conducted by Nicole Paiement and directed by Ethan McSweeny.
The performance should last about 1 hour, with no intermission.
Subscribe to:
Posts (Atom)






