My collection of scores of contemporary operas

Here are the scores of contemporary operas I have :

- John Adams : Doctor Atomic, full score, Boosey & Hawkes, 560 pp. ;
- Thomas Adès : The Tempest, vocal score, Faber Music, 247 pp. ;
- John Corigliano : The Ghosts of Versailles, vocal score, Schirmer, 369 pp. ;
- Tom Cunningham : The Okavango Macbeth, vocal score, Goodmusic, 168 pp. ;
- Carlisle Floyd : Susannah, full score, Boosey & Hawkes, 427 pp. ;
- Philip Glass : Akhnaten, full score, Dunvagen, 653 pp. ;
- Philip Glass : Satyagraha, full score, Dunvagen, 401 pp. ;
- Hans Werner Henze : The Bassarids, full score, Schott, 671 pp. ;
- Hans Werner Henze : Elegy for Young Lovers, full score, Schott, 532 pp. ;
- Hans Werner Henze : The English Cat, full score, Schott, 609 pp. ;
- Hans Werner Henze : We Come to the River, full score, Schott, 574 pp. ;
- Hans Werner Henze : Venus und Adonis, full score, Schott, 294 pp. ;
- Hans Werner Henze : Boulevard Solitude, full score, Schott, 260 pp. ;
- Hans Werner Henze : Das verratene Meer, full score, Schott, 492 pp. ;
- Hans Werner Henze : Der junge Lord, full score, Schott, 664 pp. ;
- Hans Werner Henze : Il Re cervo, full score, Schott, 511 pp. ;
- Hans Werner Henze : König Hirsch, vocal score, Schott, 725 pp. ;
- Hans Werner Henze : L'Upupa und der Triumph der Sohnesliebe, vocal score, Chester Music, 385 pp. ;
- Hans Werner Henze : L'Upupa und der Triumph der Sohnesliebe, full score, Chester Music, 362 pp. ;
- Hans Werner Henze : Das Ende einer Welt, full score, Schott, 73 pp. ;
- Hans Werner Henze : Ein Landarzt, full score, Schott, 73 pp. ;
- Hans Werner Henze : Das Wundertheater, full score, Schott, 156 pp. ;
- Hans Werner Henze : Der Prinz von Homburg, vocal score, Schott, 288 pp. ;
- Hans Werner Henze : La Cubana oder Ein Leben für die Kunst, vocal score, Schott, 280 pp. ;
- Hans Werner Henze : Pollicino, full score, Schott, 246 pp. ;
- Lee Hoiby : The Tempest, vocal score, Schirmer, 324 pp. ;
- Babette Koblenz : Hexenskat, full score, Kodasi, 181 pp. ;
- György Ligeti : Le Grand Macabre, full score, Schott, 302 pp. ;
- Peter Maxwell Davies : Kommilitonen !, full score, Chester Music, 230 pp. ;
- Stephen Oliver : Timon of Athens, vocal score, Novello, 361 pp. ;
- Krzysztof Penderecki : Die Teufel von Loudun, full score, Schott, 205 pp. ;
- Matthias Pintscher : Thomas Chatterton, full score, Bärenreiter, 336 pp. ;
- Aribert Reimann : Lear, full score, Schott, 460 pp. ;
- Aribert Reimann : Bernarda Albas Haus, full score, Schott, 292 pp. ;
- Aribert Reimann : Die Gespenstersonate, full score, Schott, 165 pp. ;
- Aribert Reimann : Medea, full score, Schott, 302 pp. ;
- Paolo Renosto : L'Ombra di Banquo, full score, Ricordi, 93 pp. ;
- Kaija Saariaho : L'Amour de loin, full score, Chester Music, 440 pp. ;
- Sergei Slonimsky : King Lear, vocal score, Kompozitor, 186 pp. ;
- Sergei Slonimsky : Hamlet, vocal score, Kompozitor, 399 pp. ;
- Michael Tippett : King Priam, full score, Schott, 282 pp. ;
- Michael Tippett : The Midsummer Marriage, full score, Eulenburg, 727 pp. ;
- Manfred Trojahn : Was ihr wollt, full score, Bärenreiter, 367 pp. ;
- Judith Weir : Blond Eckbert, full score, Chester Music, 152 pp. ;
- Bernd Alois Zimmermann : Die Soldaten, full score, Schott, 466 pp.

You can find details about the scores on my librarything webpage.