Showing posts with label Edgar Allan Poe. Show all posts
Showing posts with label Edgar Allan Poe. Show all posts

Wednesday, 6 March 2019

Today : world première of 'Three Tales' by Gérard Pesson in Lille


Today, the Opéra de Lille presents Trois contes (Three Tales), a chamber opera in three parts, composed by Gérard Pesson with a libretto by David Lescot based on The Princess and the Pea by Hans Christian Andersen, The Devil in the Belfry by Edgar Allan Poe and Proust's Overcoat by Laura Foschini.


It is the composer's third opera after Forever Valley (Nanterre, 2000) and Pastorale (Stuttgart, 2006). The three parts of the triptych are separate but share some common elements, themes and symbols (including the figure of the stranger).
In The Princess and the Pea, a Prince comes back from a trip round the world without having found his dream princess. During a storm, a young woman asks for shelter in the castle. The queen has her sleep on a pile of 20 mattresses and 20 duvets, under which she has placed a pea… The Prince and the young woman will be happily married, and the pea will be displayed in the Carnavalet Museum, where Proust’s overcoat is also kept.
Proust’s Overcoat is an enquiry about the survival or disappearance of Proust’s personal belongings after his death: his manuscripts, his furniture, but also his famous overcoat. We meet the writer’s brother, who looked after the publication of Proust’s novel, his sister-in-law who, once widowed, destroyed everything she judged obscene, the rich collector Jacques Guérin who bent himself backwards in order to gather objects having belonged to his idol. The story starts in the basement of the Carnavalet Museum.
The Devil in the Belfry tells how the routines of the citizens of Vondervotteimittis were broken by the intrusion of a violin-playing devil in their belfry… This tale, full of caustic irony, will have the same structure as the short story: a lecture, with a narrator and a group of six voices which comment on it. The arrival of the devil will be a choreographic moment. Visual and musical elements will reflect Poe’s ironic distance. (reproduced from the Ictus Ensemble website)
The cast includes soprano Maïlys de Villoutreys, soprano Melody Louledjian, alto Camille Merckx, tenor Enguerrand de Hys, baritone Jean-Gabriel Saint-Martin and baritone Marc Mauillon. Georges-Elie Octors conducts the Ictus Ensemble. David Lescot directs.

The performance should last about 90 minutes, with no intermission.

Thursday, 18 February 2016

Today : world première of Johannes Kalitzke's 'Pym' in Heidelberg


Today, Johannes Kalitzke's new opera, Pym, with a libretto by Christoph Klimke, based on Edgar Allan Poe's The Narrative of Arthur Gordon Pym of Nantucket, will be performed for the first time in Heidelberg.

© Dominik Weinmann
 
The libretto in German also includes texts by Walter Benjamin and Fernando Pessoa.
The work relates the tale of the young Arthur Gordon Pym, who stows away aboard a whaling ship. Various adventures and misadventures befall Pym, including shipwreck, mutiny, and cannibalism, before he is saved by the crew of the Jane Guy. Aboard this vessel, Pym and a sailor named Dirk Peters continue their adventures further south. Docking on land, they encounter hostile black-skinned natives before escaping back to the ocean. The novel ends abruptly as Pym and Peters continue toward the South Pole. (reproduced from wikipedia)
The cast includes countertenor Kangmin Justin Kim (Arthur Gordon Pym), tenor Ipča Ramanović (Augustus), baritone Wilfried Staber (Peters), tenor Winfrid Mikus (Kapitän Guy), bass David Daniel Reem (Richard Parker). Elias Grandy conducts the Heidelberg Theater Choir and the Heidelberg Philharmonic Orchestra. Johann Kresnik directs.

The orchestra is the following (according to the Boosey & Hawkes website) :

- 2 flutes (1st doubling piccolo, 2nd doubling bass flute and alto flute), 1 oboe, 1 English horn, 1 clarinet (doubling Eb clarinet and C clarinet), 1 bass clarinet (doubling double bass clarinet), 1 bassoon, 1 contrabassoon ;
- 2 horns, 1 trumpet, 1 trombone, 1 tuba
- 3 percussionists, 2 harps, piano (doubling celesta and harmonium), sampler ;
- strings.

The opera should last about 100 minutes.