Showing posts with label full score. Show all posts
Showing posts with label full score. Show all posts

Wednesday, 13 November 2019

New scores in my collection


I have recently acquired several scores of contemporary operas :


- Philippe Boesmans : Yvonne, Princesse de Bourgogne, Leipzig : Edition Peters, 2009, 422 p.
Full score. 2 volumes.
It contains : character list and orchestration (no detailed percussion).


- Jonathan Dove : Flight, London : Edition Peters, 1998, 188 + 160 + 169 p.
Full score. 3 volumes.
It contains :
- instrumentation with detailed percussion section ;
- characters and cast of the first performance.

- Jonathan Dove : Kwasi & Kwame, London : Edition Peters, 2005, 356 p.
Full score.
It contains : cast with tessituras and instrumentation with detailed percussion section.


- Wolfgang Rihm : Die Hamletmaschine, Vienna : Universal Edition, 1987, 244 p.
Full facsimile score. It contains :
- complete text by Heiner Müller ;
- complete cast and detailed orchestral setting with complete percussion section.

- Wolfgang Rihm : Jakob Lenz, Vienna : Universal Edition, 2016, 151 p.
Full score. It contains :
- cast (characters with tessituras) ;
- orchestral setting, with detailed percussion ;
- duration.

 
- Ming Tsao : Die Geisterinsel, Leipzig : Edition Peters, 2011, 295 p.
Full score. It contains :
- table of contents ;
- complete instrumentation with detailed percussion section ;
- performance notes.

- Erkki-Sven Tüüt : Wallenberg, Leipzig : Edition Peters, 2000, 407 p.
Full score. It contains :
- orchestration with detailed percussion section ;
- characters with pages of entrance ;
- table of contents.


- Charles Wuorinen : Brokeback Mountain, Leipzig : Edition Peters, 2011, 264 + 313 p.
Full score. 2 volumes. It contains :
- complete orchestra setting with detailed percussion section ;
- complete cast with tessituras ;
- table of contents.

I now have 106 scores of contemporary operas. I have catalogued all my scores on Librarything.

Saturday, 27 July 2019

Today : world première of 'The Thirteenth Child' by Poul Ruders in Santa Fe


Today, the Santa Fe Opera presents the world première of The Thirteenth Child, a fairytale opera in two acts composed by Poul Ruders with a libretto by Becky and David Starobin inspired by the Brothers Grimm.


It is the composer's fifth opera after Tycho (1986), The Handmaid's Tale (Copenhagen, March 6, 2000), Kafka's Trial (Copenhagen, March 12, 2005) and Selma Jezkova (Copenhagen, September 5, 2010).
Forget about magic beans and bowls of porridge — this fairy tale is a “down-to-the-wire” thriller, inspired by the Brothers Grimm. A paranoid king banishes his twelve sons in favor of Lyra, the thirteenth child. When Princess Lyra learns about her long-lost brothers, she embarks on a quest to find them. Like all the best fairy tales, it has an enchanted forest, riddles, a handsome prince, a horrible mistake, and a nearly impossible feat for Princess Lyra to perform if everything is to be put right. (reproduced from the Santa Fe Opera website)
The cast includes soprano Jessica E. Jones (Lyra), mezzo Tamara Mumford (Queen Gertrude), tenor Joshua Dennis (Frederic), bass baritone Bradley Garvin (Drokan) and bass David Leigh (King Hjarne). Paul Daniel conducts the Orchestra and Chorus of the Santa Fe Opera. Darko Tresnjak directs.

The performance should last 90 minutes. The venue is the Crosby Theatre.

The full and vocal scores, as well as a recording, are already available for sale. The publisher is Edition Wilhelm Hansen. Since last April, I have the full score in my collection. It is a 230 pages volume. It contains a characters list, a detailed synopsis and the following orchestra setting :

- 2 clarintes in Bb (1st doubling bass clarinet in Bb, 2nd doubling contrabass clarinet in Bb), 2 saxophones (1st soprano in Bb doubling alto in Eb, 2nd alto in Eb doubling baritone in Eb) ; 2 bassoons ;
- 4 horns in F, 2 trumpets in Bb, 2 trombones, tuba ;
- 2 percussion, harp, piano (digital or upright for small pits) ;
- 3 full range (7-octaves synthesizers), touch sensitive and with volume slide/knob ;
- strings : for large pits minimum 10-8-6-4-2, for small pits 2 of each.

The opera was composed in 2014-15 and the full score is copyrighted 2016.

Friday, 5 July 2019

Full score and CD recording of 'The Thirteenth Child' by Poul Ruders


The new opera composed by Poul Ruders, The Thirteenth Child, with a libretto by Becky and David Starobin inspired by the Brothers Grimm has not yet been performed (the first performance is to happen on July 27 in Santa Fe, NM), but the full score has already been published by Wilhelm Hansen and a recording has been issued by Bridge.


The full score is a large 230 pages volume.

The title page reads :

Poul Ruders / The Thirteenth Child / an opera in two acts / Libretto by / Becky and David Starobin / Full Score / Duration : / Act 1, c. 45 min. Act 2, c. 45 min. / WH / Wilhelm Hansen Musikforlag

On the following pages are given the 'Personnel' (characters with age and tessituras), detailed synopsis and complete orchestral setting.


The recording fits on 1 CD, with a total playing time of 77:50 (39:36 for Act 1 and 38:13 for Act 2).


The complete cast is the following :

Sarah Shafer (soprano) : Princess Lyra
Tamara Mumford (mezzo) : Queen Gertrude
Ashraf Sewailam (bass-baritone) : Drokan
Matt Boehler (bass) : King Hjarne
Alasdair Kent (tenor) : Prince Frederic & Toke
David Portillo (tenor) : Benjamin
Alex Rosen (bass) : Corbin

The Odense Symphony Orchestra and the Bridge Academy Singers are conducted by David Starobin (vocal music & orchestra Act 2) and Benjamin Shwartz (orchestra Act 1).

The recording was made in Denmark (Carl Nielsen Hall in Odense) and the USA (American Academy of Arts and Letters in New York City and New Rochelle Studios in New Rochelle, NY), between September 2016 and December 2018.

The booklet includes the full libretto.

I have observed a discrepancy between the score and the recording, in act 2, scene 3. On page 187 of the full score, the chorus sings 'Welcome Welcome Lyra !'. On the CD (track 22, page 28 of the libretto), the words given at the 'Townfolk' are 'Welcome silent Lyra !'.

Wednesday, 28 March 2018

New scores of contemporary operas in my collection


Since October 2014, I have acquired 50 new scores of contemporary operas. Here they are :


- John Adams : A Flowering Tree, full score, Hendon Music, 2006, 377 p.
It contains : the plot, cast, table of contents and detailed orchestral setting.
- John Adams : El Niño, full score, Hendon Music, 2000, 382 p.
It contains : instrumentation, table of contents.
- Thomas Adès : Powder Her Face, full score, Faber Music, 2015, 549 p.
It contains : characters with complete cast for the first performance (London, Almeida Theatre, July 5, 1995), Ensemble, Percussion requirements, Performance notes, Scenes, Synopsis (5 pages)


- Gerald Barry : The Importance of Being Earnest, full score, Schott Music, 312 p.
It contains : casts for first concert performance (Los Angeles, CA, April 7, 2011) and first staged performance (Nancy, March 17, 2013), characters, instrumentation, performance notes.
- Giorgio Battistelli : Prova d'orchestra, full score (facsimile), Ricordi, 1997, 356 p.
It contains the full orchestral setting.
- George Benjamin : Written on Skin, full score, Faber Music, 2015, 401 p.
It contains : cast for the first performance (Aix-en-Provence, July 7, 2012), characters, instrumentation, percussion requirements, percussion distribution by player, performance notes, synopsis.


- Luciano Berio : Cronaca del luogo, full score (facsimile), Ricordi, 1999, 229 p.
It contains : characters, instrumentation.
- Luciano Berio : Outis, full score (facsimile), Ricordi, 1996, 357 p.
It contains : instrumentation, characters.
- Philippe Boesmans : Julie, full score, Ricordi, 2004, 385 p.
It contains : characters and instrumentation.


- Philippe Boesmans : Reigen, full score (facsimile), Ricordi, 2003, 451 p.
It contains : characters with vocal ranges, instrumentation
- Hans-Jürgen von Bose : Schlachhot V, full score, Ricordi, 1995, 508 p.
It contains : date of the world première performance (Munich, July 1, 1996), characters, instrumentation.
- Luc Brewaeys : L'Uomo dal fiore in bocca, full score, Donemus, 2014, 83 p.
It contains : cast for the first performance (Brussels, February 9, 2007), scoring, performance note.


- Elliott Carter : What Next ?, full score, Boosey & Hawkes, 2011, 281 p.
It contains : characters, situation, percussion key, orchestra and soloists.
- Azio Corghi : Il dissoluto assolto, full score, Ricordi, 2004, XVI - 311 p.
It contains : characters, instrumentation, details of the percussion section, complete libretto in Italian.
- Randal Corsen : Katibu di Shon, full score, Donemus, 2013, 259 p.
It contains : scoring and duration.


- Peter Eötvös : Lady Sarashina, full score, Ricordi, 2007, 223 p.
It contains : complete cast for the world première performance (Lyon, March 4, 2008), orchestration, technical requirements, list of percussion instruments.
- Scott Eyerly : The House of the Seven Gables, vocal score, Bill Holab Music, 2001, 455 p.
It contains : setting, thumbnail sketch, scenes, principals, supporting roles, production notes, optional cuts, cast for the world première (Manhattan School of Music, NY, December 6, 2000), instrumentation, detailed synopsis, contents (13 pages altogether).
- Luca Francesconi : Ballata, full score (2 volumes, facsimile), Ricordi, 2002, 491 p.
It contains : contents, orchestration, characters.


- Osvaldo Golijov : Ainadamar, full score, Boosey & Hawkes, 2003, 209 p.
It contains : contents, instrumentation, approximate duration.
- Micha Hamel : Snow White, full score (3 volumes), Donemus, 2007, 639 p.
It contains : complete cast for the world première performance (Nationale Reisopera, January 2008), duration, the complete libretto (in English), the detailed scoring.
- Jake Heggie : Dead Man Walking, full score, Bnt Pen Music, 2004, 2 volumes, 543 p.
Additionnal information include : cast of the first performance (San Francisco, October 7, 2000), orchestration, cast of characters, contents with setting and characters.
 

- Jake Heggie : The End of the Affair, full score, Bent Pen Music, 2009, 2 volumes, 612 p.
The first volume gives the following information : orchestration, cast for the world première performance (Houston, March 4, 2004), characters, and contents.
- Jake Heggie : Moby-Dick, vocal score, Bent Pen Music, 2011, 586 p.
It contains : cast for the the world première (Dallas, April 30, 2010), cast of characters, contents.
- Jake Heggie : Three Decembers, full score, Bent Pen Music, 2013, 171 p.
It contains : cast for the first performance (Houston, February 29, 2008), instrumentation, characters, time and place.


- Bo Holten : Gesualdo - Shadows, full score, Edition Wilhelm Hansen, 2014, 119 + 122 p.
The score contains no additional information about the work.
- Bo Holten : Livlægens Besøg (The Visit of the Royal Physician), full score (2 volumes, facsimile), Edition Wilhelm Hansen, 2009, 440 p.
The score contains no additional information about the work.
- Guus Janssen : Noach, full score (2 volumes), Donemus, 1998, 299 p.
It contains : contents, cast, instrumentation, duration.


 - Willem Jeths : Hôtel de Pékin - Dreams for a Dragon Queen, full score (2 volumes), Muziek Centrum Nederland, 2010, 179 + 98 p.
It contains : instrumentation, cast, duration.
- Niels Marthinsen, Skriftestolen (The Confessional), full score (2 volumes), Edition Wilhelm Hansen, 2006, 623 p.
It contains : characters, contents, instrumentation.
- Niels Marthinsen, Snehvides Spejl (Snow White's Mirror), full score (2 volumes), Edition Wilhelm Hansen, 2011, 454 p.
It contains : contents, characters, duration, instrumentation.


- Martijn Padding, Laika, full score (4 volumes), Stichting Donemus Beheer, 2013, 121 + 66 + 95 + 79 p.
It contains : contents, duration, characters, instrumentation.
- Stephen Paulus : The Postman always Rings Twice, full score (2 volumes, facsimile), Schott, 1982,
475 p.
It contains : cast, places, orchestration, a note on the set, contents with description.
- Tobias Picker : Dolores Claiborne, full score (2 volumes), Schott Helicon Music Corporation, 2013,
252 + 185 p.
It contains : composer's note, complete cast for the world première performance (San Francisco,
September 18, 2013), table of contents, instrumentation, cast of characters.


- Tobias Picker : Emmeline, full score (2 volumes), Schott Helicon Music Corporation, 1996, 213 + 219 p.
It contains : places of action, characters, instrumentation.
- Tobias Picker : Fantastic Mr. Fox, full score (2 volumes), Schott Helicon Music Corporation, 1998,
379 p.
It contains : cast of creatures, instrumentation, table of contents.
- Tobias Picker : Thérèse Raquin, full score (2 volumes), Schott Helicon Music Corporation, 2002, 432 p.
The score contains no additional information about the work.


- Kevin Puts : Silent Night, full score, Aperto Press, 2011, 249 p.
It contains : cast, contents, instrumentation, cast for the world première (Saint Paul, MN, November 12, 2011), creative team.
- Aribert Reimann : Melusine, full score, Schott, 2017, 409 p.
It contains : characters, instrumentation, duration, table of contents.
- Poul Ruders : Kafka's Trial, full score (2 volumes), Edition Wilhelm Hansen, 2014, 559 p.
It contains : orchestra, scene breakdown, characters, abbreviations.


- Salvatore Sciarrino : Lohengrin, full score (facsimile), Ricordi, 1984, 5 + 131 p.
It contains : characters, instrumentation, symbols and performance notes.
- Salvatore Sciarrino : Luci mie traditrici, full score, Ricordi, 1998, XIV - 276 p.
It contains : table of contents, instrumentation, characters, complete libretto (in Italian), technical notes for the performance.
- Salvatore Sciarrino : Macbeth, full score, Ricordi, 2001, 373 p.
It contains : introduction by the composer, characters, instrumentation, table of contents, technical notes for the performance.


- Rodion Shechedrin : Boyarina Morozova, full score, Schott, 2008, 167 p.
It contains : cast for the world première performance (Moscow, October 30, 2006), characters, instrumentation, duration, complete libretto in German and in English.
- Rodion Shchedrin : A Christmas Tale, full score, Schott, 2017, 394 p.
It contains : cast for the world première performance (Saint Petersburg, December 26, 2015), characters, orchestra, table of contents, complete libretto in Russian, English and German.
- Rodion Shchedrin : The Left-Hander, full score, Schott, 2014, 302 p.
It contains : dates of concert and staged premières (Saint Petersburg, June 26 and July 27, 2013), characters, orchestra, table of contents, complete libretto in English (separate booklet).


- Marijn Simons : Emilia Galotti, full score (2 volumes), Stichting Donemus Beheer, 311 p.
It contains : cast for the world première performance (Koblenz, October 25, 2014), duration, characters, instrumentation, play modes.
- Giuseppe Sinopoli : Lou Salomé, full score (facsimile), Casa Ricordi, 1980, 257 p.
The score contains no additional information about the work.
- Mikis Theodorakis : Medea, full score (2 volumes), Schott, 2014, 388 + 407 p.
It contains : date of first performance (Bilbao, October1st, 1991), duration, details of recording (Wergo), instrumentation, characters, table of contents, detailed synopsis in English, Greek, German and French.


- Michael Torke : Strawberry Fields, full score, Adjustable Music, 2005, 135 p.
It contains : cast, instrumentation, first performance (Cooperstown, NY, July 17, 1999).
- Huw Watkins : In the Locked Room, full score, Schott, 2012, 154 p.
It contains : date of the first performance (Edinburgh, August 30, 2012), duration, characters, instrumentation.

I now have 95 scores of contemporary operas. I have catalogued all my books, opera recordings and scores on LibraryThing. Here is the link to the scores collection.