New programme book in my collection : 'Dark Spring' by Hans Thomalla in Mannheim

 Yesterday, I have received the programme book published by the Nationaltheater Mannheim for the world première performance of Dark Spring, a new opera composed by Hans Thomalla with a libretto by the composer after Frank Wedekind's play Frühlings Erwachen.

 

It is a 72 pages book, entirely in German. It contains :

- the complete cast for the world première performance ;

- plot summary ;

- a conversation between composer Hans Thomalla, stage director Barbora Horakova and Cordula Dermattio ;

- Das Gehabe, an excerpt of Édouard Louis' novel Das Ender von Eddy ;

- 16 pages of colour photos from the rehearsals ;

- the complete libretto in the original English, with a German translation ;

- short biographies of composer, conductor, stage director and sets and costumes designer.

I have catalogued all my programme books on LibraryThing.

Today : world première of 'Dark Spring' by Hans Thomalla in Mannheim

 

Today, the Nationaltheater Mannheim presents the world première of Dark Spring, an opera in 11 scenes, composed by Hans Thomalla with a libretto by the composer based on Frank Wedekind's play Frühlingserwachen.

 

It is the composer's third opera, after Fremd (Stuttgart, July 2, 2011) and Kaspar Hauser (Freiburg, April 9, 2016). Belgian composer Benoît Mernier also adapted the play as an opera (first performed at La Monnaie in Brussels, March 9, 2007).

Dark Spring is an opera about four young people under extreme pressure: the pressure to overachieve academically, to score high in the popularity contests at school or at college, and to perform romantically or sexually. The pressure has become entirely internalized as parents or teachers are absent and the protagonists are left alone with late capitalism’s demands of permanent self-optimization. The conflict between the expectation to succeed on the one hand and the sense of powerlessness and unattainable self-determination in an era of constant stagnation on the other hand grows increasingly acute until it eventually flips into violence: into Melchior’s sexual aggression and Moritz suicide. (reproduced from the NTM website).

The cast includes mezzo Shachar Lavi (Wendla), mezzo Anna Hybiner (Ilse), countertenor Magid El-Bushra (Moritz) and tenor Christopher Diffey (Melchior). Alan Pierson conducts the Nationaltheater-Orchester. Barbora Horáková Joly directs.

The performance should last about 90 minutes. No intermission.